Harpsichords in 1965/1966 Pop (Part 1) Are harpsichords too effete-sounding? Does the fact that William Buckley adored them over all other instruments do nothing for you? Listen...if it ain't baroque, don't fix it. 1965-1966 are, more or less, the two opening years of the '60s onslaught of harpsichords in pop/rock. We'll avoid the torrent and stick to those.
Time
Performer [Composer]
Song
Album [Format]
Misc
Misc –
REQ:Request
BED:Bed
NEW:New Release
( ):Label, Year Rec/Rel
Comment:
Background music, in order: (1) Billy Strange - "Come Stay With Me" ("English Hits of '65," GNP Crescendo 1965) (2) The Baroque Inevitable - "Sunny" ("The Baroque Inevitable," Columbia 1966) (3) The Baroque Inevitable - "Wild Thing" ("The Baroque Inevitable," Columbia 1966) (4) The Litter - "Harpsichord Sonata #" ("Distortions," 1966 outtake Arf Arf 1999) (5) The Baroque Inevitable - "Rainy Day Woman #12 & 35," ("The Baroque Inevitable," Columbia 1966) (6) Duane Eddy - "Where Were You When I Needed You" ("The Biggest Twang of Them All," Reprise 1966) (7) The Mamas & The Papas - Frustration" ("The Mamas & The Papas Deliver," Dunhill 1966) (8) Derek and Ray - "Froogie Woogie" ("The Keyboard Sounds of Today!," RCA Victor 1966) (9) Derek and Ray - "The Green Hornet" ("The Keyboard Sounds of Today!," RCA Victor 1966)
