Improvising Medusa Ensemble created for the event: Natalia Mann, harp; Ros Bandt, tarhu (a contemporary Australian spike fiddle), flutes and air whistles; Erdem Helvacıoğlu, electric guitarviol and live processing; İzzet Kızıl, percussion. The last seven movements of the eleven movement water symphony recorded in Basilica Cistern (Yerebatan Sarnıcı) beneath Istanbul, Turkey. V - Water Through Glass (original glass and clay, harp, tarhu); VI - Corinthian Song (Renaissance tenor recorder, harp, electric guitarviol, live processing, percussion); VII - Water Dreaming (psalteries and harps, words, water, Renaissance flute); VIII - Medusa Dreaming (harp solo, percussion, electric guitarviol); IX - Basilica Dreaming (windharps recorded in the Australian desert, multicultural voices: 336 marble columns); X - From Belgrat Forest (ultrasound recording of a Rimu tree growing, tarhu, electric guitarviol, live processing); XI - 52 Steps to the Future of Water (ensemble apotheosis, international words: dreaming, medusa, columns, stone, 52 steps).
For two percussionists (who sometimes also sing) and two MIDI keyboards programmed exclusively with historic electric organ sounds. Neumond is German for "new moon".
For pipe organ and soundsystem, recorded from multiple microphones throughout the architecture housing pipe organ and audience. Three numbered parts, followed by Coda: The Passage West (An Pasáiste Thiar).
